Javanese Gamelan Transcriptions for Rachel Chacko

I was asked by Rachel Chacko, a Ph.D. graduate, to help her digitize some Javanese Gamelan transcriptions. Confident in my abilities, I agreed to to the project. Unfortunately, I did not realize how difficult this task would be. The learning curve for the transcription program (Finale) is very steep and the music requires very complex concepts to be shown. For example, most of the notations are in 9/8 time, but many measures have 10 beats in them... at first this was impossible for me to do. But after many hours in the lab, I eventually cracked the program before it cracked me. However, I did come away from the experience with a new skill set and the confidence that I can manipulate a wide variety of programs. This is a crucial skill in ethnomusicology.

Email me for more information about any kind of music transcriptions or customized sheet music.

Stockhausen 2010

Kreuzspiel

CU Pendulum New Music in conjunction with ATL&S has begun to do an annual contemporary composer series.  Last year was George Crumb, and this year featured Karlheinz Stockhausen.  Paul Miller organized to have Stockhausen's personal engineer, or sound projectionist, Bryan Wolf come from Pforzheim, Germany to run with the event.  Stockhausen was a pioneer of experimental electronic music and has created some amazing compositions for surround sound systems as well as orchestration.

Disappear Here - 5 projections at once

2010 ATL&S Innovator award recipients Kim Olson and Nathan Montgomery produced a projection and movement themed show in the Butoh style.  The goal is to "explore the wilderness within and without, the seen, unseen, and the world’s ephemeral beauty."  Nathan began the show in a net hung from the ceiling as a 'womb' (or diaper as some of us called it) and natural elements such as flowers and tumbleweeds were used as props.  The technical challenges for me were tremendous, as I was responsible for synchronizing 5 different projections.

Long Neck Big Heart

Over a year ago, Tim Foss approached me to discuss working on sound design for his MFA thesis project. Over the months, the project evolved into a fascinating story about a man coming to terms with his own insecurities along with the help of two precocious children and a man who may or may not be Santa Claus. The story is told through animatics, live music, and performance. Being involved with such a project for so long was very interesting as I was able to help shape and mold the final product.


I was involved with voice acting (Santa), recording small children's voices for overdubs, Foley and sound design work, as well as custom media programming. The piece of technology I developed was a program in MAX/MSP for a foot pedal board (FCB-1010) used to control the video playback. It also allowed  Tim to record and manipulate musical loops. This created an ‘impossible’ live, one-man, acapella performance.  It was a very fun effect to witness live.
Email me for more information about this kind of program or other performances involving interactive technology.

Shodekeh and blOrk

World famous beatboxer Shodekeh gave a free concert for the Conference on World Affairs Athanaeum series that we participated in with blOrk.  I warmed the house manipulating Paul Hembree's Henon Attractor patch.  (Sorry I can't share it, cuz its not mine).  Actually, running that thing for 30 minutes was a miracle as it tends to crash if you're not extremely careful. 

We then performed a "Man vs. Machine" piece with each blOrker trying to make crazier noises than Shodekeh.  It was a fun experience and we had top notch stage presence.  John Gunther and company also performed Cantaloupe Island with Shodekeh.  Shodekeh also performed a sort of interesting rendition of 'Viva La Vida' with the a capella group CU on the Rocks.  It was a pretty interesting version of the song.  We only had a couple of hours to rehearse and a lot of it was improvised, but the performance turned out really well.

Dangerously Safe

Gemma Wilcox and Liz Barron performed "Dangerously Safe" for the Boulder 2010 Fringe Festival.  The performance was a unique way to utilize the space, and it created some memorable moments.  To begin, the audience was split into two different groups and seated on opposite sides of the space.  While the two groups were facing each other, there was a curtain preventing any visual contact.  Both performed simultaneously to their respective audiences by improvising, showing video, telling mythical stories, and having shadow dance fights through the curtain.  Ultimately, the piece came together when the curtain was finally drawn and the audience was reminded of the dual nature of the performance.

Film by Betsy Tobin, Tech by Jessica Bynam and David Ortolano

reConstruction

This is a clip from Ryan Wurst's performance on prepared piano:

Prepared Piano - clips, screws,balloons...

For those of you who don't know, to 'prepare' an instrument means to attach objects to the strings on an instrument.  When you play it, interesting, somewhat random timbrel effects happen.

CU New Opera Workshop

Sister Carrie - 3 screen projectio

This was an impressive display of talent by the student performers, writers, and crew members.  At the beginning of the (2) week(s), the operas were read for the first time and performed by the end of the week.  I don't think I need to describe the difficulty of this.  Short operatic scenes were shown each night and each week featured a longer opera.  "Sister Carrie" composed by Robert Aldridge is the story of a woman achieving the American Dream. "Rozencrantz and Guildenstern are Dead" was composed by Herschel Garfein.  The second week's performance was the premier of "Autumn Orchard" composed by Daniel Kellog and librettist J. Michael Martinez.  It features the powerful story of Garcia Lorca's imprisonment during the Spanish Civil War.

For the performance, I projected on to three 8' x 24' vertically mounted screens for scene changes.  Instead of using MAX/MSP/Jitter as I normally would.  I experimented with Isadora which was simple enough to manipulate the scenic images created by Andrew Metzroth.  Many of Isadora's tools are helpful (especially for video), however, I would still prefer to use MAX/MSP/Jitter.

Congrats to Leigh Holman - Producer, Andrew Metzroth - Technical Director, and Halley Albers - Stage Manager

ATL&S Spring 10 Shows

The Black Box was very busy this spring with everything from world-wide electronic jam sessions to extreme multi-media collaborations. Here is a short summary of the shows I assisted with. There is more information about each show in each link.

2010.02.27

Hullo, My Name is Lily Foster

Hunter Ewen

2010.03.12-14

Gunther fest – blOrk, Psychoangelo/Safari Trio, [NYU, KAIST] link

John Gunther and Synthia Payne
CISMAT : Center for Innovative Studies in Music, Art, and Technology

2010.04.02-3

There Came a Voice/She

Jacob Herold / Esmeralda Kundanis-Grow

2010.04.16-18

Communikey Electronic Arts Festival
Produced by Kate Lesta, hosted by Communikey.us

2010.05.01

Tethered/She Waded in Time

Maximilian Shiffman / Nicole Dagesse and Tara Rynders

She Waded in Time/Tethered

“Tethered” was a special show for me because Maximilian Shiffman asked me to be a technical director and sound designer early in the process. “She Waded in Time” was an MFA Dance collaboration between Nicole Dagesse and Tara Rynders. Both contained very different scenic elements, but performers participated in both shows. This collaboration is definitely worth watching and reading about.

Check out these flickr streams for SWIT and Tethered for more pictures and video.

Communikey 10

Wow, Communikey 10 was a blast.  This year I was a member of the technical support crew.  I assisted with the planning and performance of the Artificiel performance "POWEr" as well as the other performances and workshops in the black box.  This was the third installment of the festival, and Communikey 11 is already being planned.  Other events I was involved with included the Lucky Dragons' workshops, "Make a Baby", D Numbers' "Chop Shop", performances by White Rainbow, Lissom, and a special guest performance by the eccentrically brilliant Xavier van Wersch.  Peter Kirn also gave a lecture about Processing.  You can see more about the many other events and performances on the Communikey 10 website.  I also have lots of documentation of the event.

There Came a Voice/She

The last few shows of the semester were dual projects. The first two were individual performances involving a number of interesting technology interactions. Jacob Herold’s “There Came a Voice” was a jazz performance with score for electronics and vivid projections to accompany each section. The musical theme of the piece is very memorable, and use of projections was a crucial visual element.

SHE

The second portion of this show was a live dance and video collaboration produced by Esmeralda Kundanis-Grow with video work by Mara Tasker and Nathan Minatta. The show followed a ”Tarantino-style femme fatale” theme and explored the Black Box space in an interesting way. The ceiling grid was used as scenic element and the video was an excellent performance element.