CCRMA Tour

20110615

Foyer Exhibit/Study Area

While I was in California, I happened to be very close to the Stanford Campus.  Stanford has a program within their music department that I have been interested in for quite a while.  So I set up a tour of the building and the program, CCRMA (Center for Computer Research in Music and Acoustics), pronounced "karma".  The building was relatively empty, as this was the first day on campus after the spring graduation.

The center is located in the old governors mansion at one of the highest points on campus and has a fantastic view of the  buildings below.  Right as you enter the building, you know that you are in the right place.  There are various keyboards, speakers, and other things I would bet are instruments, but not like any I've ever seen.  There is also a reel to reel, next to a pyramid shaped speaker array, and a giant machine that appears to be one of the earliest GUI based DAWs.

Tim Eriksen and the Batteries Die Media Ensemble

The Batteries Die Media Ensemble

20110305

Over the weekend, Michael Theodore held a reincarnation of the What I Saw at the Apocalypse show from February of 2009. He brought Tim Eriksen, a "shape note" or throat singer, back for the very special reunion. The Apocalypse show was one of my first shows to work on at ATLAS, and this reunion was, by far, one of the most complex audio patches I've built in the space. We routed about 30 channels to the FOH mixer and about 24 channels into the ProToolsHD system. Additionally, we documented the concert with a live-mixed three camera shoot.

Here is an edited video from my Zoom Q3-HD:

More info and pictures after the break...

Let's make some hip-hop... why not?

So my friends Mike and Morgan have been making some hip-hop songs at their cabin up in the mountains.  This inspired me to mix some lyrics to a couple of my songs.  The first is a combo of Five25 (an acoustic song of mine) with Method Man and Redman.  The second (after the break) is an old Latchkey Kids song spliced up with ODB lyrics.

These aren't the most kosher lyrics in the world, so if you offend easily, just don't listen.

OGcheebacheeba (feat. Method Man and Redman)



  OGcheebacheeba (feat. Method Man and Redman) by iEEEj

World premier iEEEj video right here...

Having ProTools on my own computer really changes things for me.  I've been able to edit samples I've brought in from my turntable with a deadly efficiency. And, I finally got around to making a recording that I like, of this song that never really had a name.  Adam called it Zelda Come Home once... I'm calling it Five25 right now until someone thinks of something better.  I also took this opportunity to stitch some jitter stuff together to make the world premier iEEEj (my DJ/musician/electronerd handle) music video.  If you want to download the song or just listen to it without the video, click the link after the break.

Mohr-Fire Studios... meet The Ira Liss Show

20110129

The Ira Liss Show

One of my favorite things to do is visit different recording studios and drool (not literally) over all of the channels, preamps, and routing options each studio puts together.  So when I found out my friend Ira Liss would be doing a live studio session, I was very excited to come hear the music and check out the space.  Located in Lafayette, CO, Mohr-Fire Studios was the perfect environment for this intimate concert with Ira, whose style is comedic and witty.

The Ira Liss Show is a combination of Ira's music and poetry slammed into a quirky piano-bar style that is both humorous and witty.  His songs are introspective and are centered around lyrics such as "If it weren't for Adam and Eve" or "...I'd rather be pissed".  His timing and writing are brilliantly intertwined, providing an entertaining show for everyone (mostly adult audiences however).  Ira seems to like to sing about sex a lot, including sex with dinosaurs...  just to give you a glimpse into his sense of humor.  His songs are designed to speak to all of humanity, touching on the topics of God and human existence.  At the same time, his lyrics are filled with puns and word play.  This unique combination creates an exciting, new type of musical entertainment that is rare to find in this day and age.

Audio for Narcissus

There is a lot more information about this performance in the original post.

Stockhausen 2010

Kreuzspiel

CU Pendulum New Music in conjunction with ATL&S has begun to do an annual contemporary composer series.  Last year was George Crumb, and this year featured Karlheinz Stockhausen.  Paul Miller organized to have Stockhausen's personal engineer, or sound projectionist, Bryan Wolf come from Pforzheim, Germany to run with the event.  Stockhausen was a pioneer of experimental electronic music and has created some amazing compositions for surround sound systems as well as orchestration.

CU New Opera Workshop

Sister Carrie - 3 screen projectio

This was an impressive display of talent by the student performers, writers, and crew members.  At the beginning of the (2) week(s), the operas were read for the first time and performed by the end of the week.  I don't think I need to describe the difficulty of this.  Short operatic scenes were shown each night and each week featured a longer opera.  "Sister Carrie" composed by Robert Aldridge is the story of a woman achieving the American Dream. "Rozencrantz and Guildenstern are Dead" was composed by Herschel Garfein.  The second week's performance was the premier of "Autumn Orchard" composed by Daniel Kellog and librettist J. Michael Martinez.  It features the powerful story of Garcia Lorca's imprisonment during the Spanish Civil War.

For the performance, I projected on to three 8' x 24' vertically mounted screens for scene changes.  Instead of using MAX/MSP/Jitter as I normally would.  I experimented with Isadora which was simple enough to manipulate the scenic images created by Andrew Metzroth.  Many of Isadora's tools are helpful (especially for video), however, I would still prefer to use MAX/MSP/Jitter.

Congrats to Leigh Holman - Producer, Andrew Metzroth - Technical Director, and Halley Albers - Stage Manager

ATL&S Spring 10 Shows

The Black Box was very busy this spring with everything from world-wide electronic jam sessions to extreme multi-media collaborations. Here is a short summary of the shows I assisted with. There is more information about each show in each link.

2010.02.27

Hullo, My Name is Lily Foster

Hunter Ewen

2010.03.12-14

Gunther fest – blOrk, Psychoangelo/Safari Trio, [NYU, KAIST] link

John Gunther and Synthia Payne
CISMAT : Center for Innovative Studies in Music, Art, and Technology

2010.04.02-3

There Came a Voice/She

Jacob Herold / Esmeralda Kundanis-Grow

2010.04.16-18

Communikey Electronic Arts Festival
Produced by Kate Lesta, hosted by Communikey.us

2010.05.01

Tethered/She Waded in Time

Maximilian Shiffman / Nicole Dagesse and Tara Rynders

Communikey 10

Wow, Communikey 10 was a blast.  This year I was a member of the technical support crew.  I assisted with the planning and performance of the Artificiel performance "POWEr" as well as the other performances and workshops in the black box.  This was the third installment of the festival, and Communikey 11 is already being planned.  Other events I was involved with included the Lucky Dragons' workshops, "Make a Baby", D Numbers' "Chop Shop", performances by White Rainbow, Lissom, and a special guest performance by the eccentrically brilliant Xavier van Wersch.  Peter Kirn also gave a lecture about Processing.  You can see more about the many other events and performances on the Communikey 10 website.  I also have lots of documentation of the event.

Gunther fest – blOrk, Psychoangelo/Safari Trio, [CU, NYU, KAIST] link

Psychoangelo

John Gunther’s 3 day technology fest was a huge success. We participated in collaborations of every variety and pushed the limits of the Black Box Space. Day 1 was a performance with Michael Theodore and Glen Whitehead's  band Psychoangelo followed by Gunther’s Safari Trio. Day 2 was a collaboration between blOrk and members of the Safari Trio.  I also performed a piece Tuning Up which is about warming up a laptop orchestra. Finally Day 3 was a live dance, visual, and musical collaboration between NYU and KAIST university in Korea over Internet2 entitled "Memory and the Internet." Doing this all in one weekend was a technical challenge to say the least.

ATL&S Spring 09 Shows

This Spring, I was fortunate enough to land a job working for the Center for Arts, Media, and Performance (CAMP) in the ATL&S building at CU Boulder. Here's a quick rundown of the some of the events I got to help set up and run:

I helped run sound for everything from the Italian Theatre's puppet-reality show, to the Conference on World Affairs, and the Multi-Dimensional Dance Performance Thesis 'Toeplitz'. The artistic and erotic interdisciplinary performance 'Sweeping' was a fresh experience -- we only had the performance day to set up... so when we saw the show, it was for the first time (instead of the usual 5th).

The three musical highlights included Michael Theodore's What I Saw at the Apocalypse, Paul Hembree's The Antikythera Mechanism, and the Boulder Laptop Orchestra's (bLOrk) performance:

Janet Feder in front of the Second Life performance