The Onion Code

"The Onion Code" 
Algorithm based analog print series

I'll pick up right where I left off.  Using the Perlin Hatch Code, I developed a while back I created a series of analog prints.  Unfortunately my printer just can't seem to communicate with the my system properly so I  tend to get partial images and misprints and all kinds of other errors.


So I embraced this and made a small 11 series run of prints ranging in size from 5"x7" to about 1.5"x3.5".  I overprinted blue and green variations of the code overlaying and altering ink densities.  I also cut out smaller pieces and taped them to larger prints to achieve interesting overlays and angles.

'The Interactive Piano' TAM Capstone Thesis Installation

The Technology, Arts & Media (TAM) certificate is [was] a 21 credit hour program that the ATL&S building offers. [It is now a minor known as MTAM] It consists of classes on digital/social theory, specific graphic/web/video/etc software programs, and a Capstone class. For my thesis installation, I chose to design an exhibit using the building's player piano. You can read about it and see videos and pictures HERE.

This was an extremely interesting project that involved an exciting new blend of technology, music, and networking. I sent hundreds of emails to jump through all the red tape for arranging the specifics of the project and getting various permissions. But, in the end it was worth it, as I was awarded the 'Best in Show' award for the best Capstone exhibit. Check out the vids and pics (at the link above and the video below), this was a very rewarding project to pull off.

Check out Paul Hembree, Anthony Green, Hunter Ewen, Nathan Wheeler, & Matthew Browne

Thea Musgrave's Narcissus performed by Carolyn Keyes

One of the many interesting things that Music Technologists do these days is rebuild obsolete electronics using modern equipment and techniques. I was commissioned to help Carolyn, a graduate Flute student rebuild an ancient digital delay system (A Vesta Koza DIG-411). More information about this technology and a sound clip after the break.



Carolyn played into a microphone and the program would echo the sounds just emitted, slowly becoming softer. While I was unable to attend the performance of this piece, I have heard that it went off without a hitch. I learned a lot about the difficulties of building a program that can actually be utilized in a real world situation, and I definitely intend to do this kind of thing again in the near future.

Email me for more information about this kind of program or anything similar.

Using my favorite program MAX/MSP, a little help from a paper by David Wetzel, and a midi foot controller (Behringer FCB-1010), I customized a program that allowed Carolyn to change the number of delays as well as the delay length using her feet while performing. There was an additional setting that allowed a delayed sound to play continuously without any decay (until turned off).